The collective imagination that has always considered White as the supreme colour of the ancient sculpture needs now to re-considerate its position facing with an interdisciplinary approach, that allows to revaluate and better appreciate the pieces of the ancient sculpture and its decorations, being aware of the importance that the colour had in that times.
However, the audience who visits the museums it's not aware of it, ignoring the fact that the white marble of the statues and buildings it's not what we can call a stylistic choice but evidence of the flowing time. In recent years, the academics have always been more and more interested into the study of the polychromies of ancient works and aware of their value.
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